A break…

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This post is sticky… there may be newer posts below.

I need a break.

My brain is tired.  To be blunt, I feel burnt-out, not on writing, but on all the stuff that isn’t writing but is necessary to do in order to be a writer.  Although if I could take a month or two off from writing, I’d do it in a heartbeat.  Sadly, I’ve never caught up from how sick I was a couple of years ago.  I used to have enough of a backlog to let me take a week or so here and there.  Not any more.  Time is something I never have enough of.

(more…)

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Why Amazon & BN reviews matter

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I had a reader ask me why the Amazon & BN reviews matter… 

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I’ve noticed you’ve been pushing for more reviews…the book club thing and periodic requests for reviews, etc on twitter, FB.  I don’t ever pay attention to them.  I ask friends or go to blogs.  Store reviews just don’t matter to me.  What’s the big deal?

Well, bottom line… they are a very big deal.

I can’t claim a lot of hard knowledge on this but these are some of the things I’ve discovered with selfpublishing.  The number of reviews I received on Blade Song helped get me some of the ‘promo’ deals, like the daily deals, which actually benefits readers, too.

But again, this is just stuff that’s either been my experience or things I’ve learned in workshops, etc.  None of this has come straight from the horse’s (Amazon/BN’s) mouth.

Reviews at Amazon and BN add up to two key things:

  • ‘discoverability’
  • ‘promo’ offerings from online retailers offer (sales, etc)

 

So what’s with the ‘promo’ thing and what does that matter?

The promo thing translates to sales…and who doesn’t like sales, right?

X number of reviews can lead to things like

  • ‘daily deals’
  • ‘gold box’
  • other stuff


 Reviews alone aren’t going to get the daily deals, gold box deals, etc.  The majority of the reviews need to be positive.  Your pub has to push for the deal, there’s wrangling and hassling, etc.  I didn’t do any of it to get the daily deal… Inscribe did it all for.

But it’s not just the promo thing.  Increased reviews leads to increased discoverability.  You show up in search results more…people who looked at this also looked at…etc, I think.

If people aren’t seeing your book, they can’t buy your book.

Once you hit X amount of reviews on Amazon (and I think BN), you move into a different ‘algorithm’ which means your books show up more on book searches.  When your books pop up, more people see them.  If your books aren’t popping up a lot, then people can’t see them to buy them.  Decreased book sales will eventually lead to your publisher deciding not to renew your contracts…and that leads to canceled series.  Which has happened to me twice.

Yes, the readers looking for you will find you, but the casual buyer?  Not so much.  The browsing days in a bookstore are fading so the discoverability factor for online shoppers is becoming crucial.

The market is getting tough and yes, reviews are important, more now than ever.  You don’t have to be a professional reviewer… just say…hey, I liked this book and here is why.  Or even…this book didn’t appeal as much…and this is why.  I don’t want to be that author who is constantly begging for reviews, but if you enjoy a book of mine, if you feel inclined to leave a review, posting it to Amazon or BN is a huge help and I very much appreciate it.  :)

 

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Rethinking how I think

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writer

So there’s a big hullabuloo (is that how you spell it?) going on because an UF writer turned erotica writer is having some issues… her UF doesn’t sell, and she doesn’t like that.  Her erotica writing does… and she likes the money, I think, but she’s not really into erotica.  She thinks it’s trash.

I don’t want to go into this a great deal… she’s wrong, plain and simple.  Dismissing an entire genre as inferior?  Yeah, I seem to recall SF people who view UF as inferior.  A bunch of lit folks who smash down all genre books.

Disregarding an entire genre because you don’t get it is narrow-minded, at best.  And it’s all wrong.

To quote the awesome David Morrell who spoke at the RT Awards Show…

There are no inferior genres, just inferior writers.

Every genre has its lousy books, and every genre has its gems.

Just like every genre has books that are going to be overlooked…books that people poured their heart and soul into, and those books just don’t sell worth shit.

My Veil series was cancelled because of low sales.  Does that suck?  Yep.  Do I blame the readers?  Nope.  Sometimes a series just doesn’t connect with the right group of readers.

Every genre is going to have books that sell like gangbangers.  I mean… hello, Fifty Shades of Grey, right?  That thing sells like mad.

The author in question, Kendall Grey said crap that was insulting.  She was dismissive of her readers who laid out their hard-earned money, who enjoyed her work, who complimented her.

She was dismissive of an entire genre of writers who spent a lot of time crafting their work… Ms. Grey bemoans how she spent years crafting her UF trilogy, how much money and time and energy, and then she wrote an erotica book that earned $10k.  Hey, that’s awesome money, go you… but she doesn’t get why the books she loved didn’t make the money, and the book she doesn’t seem to care about did.  Well, she thinks she understands.  Readers like simple.  They don’t like art.  I looked at her art…it didn’t catch my interest, and I’m a diehard UF lover.  Sometimes, that happensA book just fails to connect with the right group of readers.

Sometimes, you can do all the supposed ‘right’ things…and nothing happens.  There is no magical cure or shortcut or answer in this business, and I think that might be the root of the problem.  She’s looking for answers, and she thinks she found one…

Readers, in her opinion, basically want trash…that’s what her post boiled down to.  She thinks erotica is trash, writing it is selling out and there’s the implication that her readers are dumb. Yes, I had to pick up my jaw off the floor, too… she earned $10k and instead of… wow, thanks guys…she insults them.

If you want to read more about the mess, you can check out Lauren Dane’s rant.  When she puts on her ranty pants, it’s a beautiful thing. And that’s as much detail as I’m going to go into.

The meat and bones of what I want to get at is this…

On twitter the other day, a comment was made by Jane of Dear Author (paraphrasing here…) It’s insulting readers when an author knocks their own work….

And I disagreed.  Not, at all, because of what Kendall Grey said, or what she thinks.  What she said was insulting.  It was dismissive.  I don’t really write a lot of straight erotica.  The closest thing I have is Beg Me.  Erotica isn’t generally my cuppa but Ms. Grey’s comments still come off insulting as hell.  Many women like erotica… they are becoming more comfortable with their own sexuality and rock on with that. Nobody has the right to dismiss them or insult them or make them feel belittled for it.

The reason why I disagreed with Jane is this… I often think a lot of my writing sucks.

And I need to rethink how I think.

It’s not that I’m putting out ‘garbage’ as one twitter follower said and thinking…hey, look at what these suckers might buy

My line of thinking is this:

I’m a perfectionist and I’m never satisfied with what I put out.  Eventually, I have to let the story go and move on, so I can write the next one.  Because I can do better with the next one.  And the next one.

know I have a talent for writing.  I know that, in my gut.  I read books by Lynn Viehl and Nora Roberts and Ilona Andrews and Stacia Kane and I think…wow. I want to be able to do that.  I want to suck people into my stories and hold them in tight so that they can’t let go until the very last page.  And if the story I’m writing doesn’t hold me like that, then I don’t know if it’s good enough.  But I can’t trust my own judgement because I’m a harsh critic.

But it’s also been made clear, very clear… (insert mollified face here) that it’s not really doing a reader justice either to so vocally put it out there like that, and I’ve been known to do that.

This is entirely my problem and I’m sorry if anything I’ve said in that vein has bothered one of my readers. That totally wasn’t my intention at all and I will work on it.  I’m never going to be one of these authors who can honestly (and I can’t say something if I’m not being honest on it) say hey, my books always rock, check me out…

I will be blunt and say I think that’s a tricky road to walk, too, because in this industry, arrogance can be a downfall. I don’t ever want to get to the point to where I think I rock.  I really don’t.  I’ve, sadly, seen several people who let arrogance and success get in the way.  Once that gets in the way, the writing…the story will suffer, and for me, it’s always about the story.

My stories are in my blood and I don’t want them to suffer.

But…the upside to me being critical is that if you see me saying…Whoa, I think I really did something amazing there, that means that book blew me away.  Because I am so critical on myself.  Books like Blade Song, Night Blade, Wrecked and the Ash trilogy are books that actually caught me by surprise.  These books, when I finished them, instead of…I need to do better, it was like… huh.  These are pretty damn good.  Which seems to be a decent indicator, because those books are the ones that have hit really well with readers.

In the future, I’m going to try to ‘retrain’ how I think.  Logically, I know I can write and I get that.  My satisfaction, or lack of, comes from a desire to improve, and it has nothing to do with putting out less than the best book I can.   If the book is less than the best I can do, I put it aside until I can make it my best.

I write the best book I can, but each book improves the craft and I can’t get better unless I keep writing.

Instead of the ‘this book sucks’ line of thinking, I’m going to try and go with… this book might not be as good as I wanted, but it’s the best I can do. Onto the next one.

And readers, please don’t ever let any writer, or anybody else, make you feel inferior because of what you read.  You’re awesome and I love you.

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The definition of success

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A workshop I attended…

 Author Unknown tells Supercool Author:

You’ve been my idol.  You did everything I wanted to do.  Tell me…how can I avoid making the mistakes you made…your career just tanked.

At this, I just kinda gaped.

Because Supercool Author has the kind of career that makes me starry-eyed. A movie made after her books.  She’s mega cool.  Yeah, yeah, sometimes we perceive things to be bigger or different than they are, but she’s still an author I’d call a success.

Author unknown has set the bar for success at hitting a list.

I haven’t hit a list yet.  I’m wondering…will I?

I’ve been doing this for a while now. I see shit that happens behind those names.

I’ve known authors who put on a happy, smiling face while secretly they have families who don’t support them.  They have husbands who try to force them to walk away from a career they wanted.  They have significant others who do not care about the things that make them happy.

They hit lists…. and ten years later, you see their books in the remainder bin at the dollar store and are they still writing?

I see authors in dollar store bin all the time…USA TODAY BESTSELLER…and the names ring nothing on my mental scale.

I see MEGA BESTSELLING AUTHORS who treat their readers like shit and walk all over the people who helped them get where they are.  Because nobody does it alone.

Does all of that add up to success?  How successful are you if you’re full of spite?  How successful are you if you have nobody to truly share it with at the end of the day?

This author who supposedly tanked?  She’s funny.  She’s sweet.  She’s genuine and kind.  She’s happily married and she’s got kids she loves.  And she’s able to pursue a career she loves with the support of her family.  Regarding her career, people know her name.  She has readers who know her and love her and support her.

That is success.

I was talking to my husband about all of this the other night, and damn it, I want that list thing. So bad.  I want it so bad I can taste it, and I’m not giving it up.

But… I have a guy who tells me this, in a matter of fact way.

You’re doing what you want.  It’s all you ever wanted to do with your life and you’re doing it.

I’m married to my high school sweetheart.

We have three beautiful kids.

I have a family who loves me.  A husband who supports me.  He doesn’t see my writing as a hobby and he doesn’t mock it, make light of it…and when it did get big for me? He didn’t try to take from me or make it seem like it was something he’d done for me.  It’s mine…I worked for it and he’s happy for me and he’s proud of me.  He’s there for me and he supports me and it’s the most amazing gift.  I pity women who don’t have that.  I’ve got three kids who think it’s pretty damn cool to have a mom who tells stories for a living.

And I’m a storyteller.  That’s all I ever wanted to be when I grew up…a storyteller.

I’ll define what is my own vision is.

Am I successful?

Damn straight.

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Waiting for the waves

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One of the talks I listened to at the WRWDC retreat was giving by Jane Porter and it was about how much she learned just from being in love with a surfer.  And not just because hey…surfers, that’s gotta be cool, right?

Listening to her talk, you get the feeling that Jane has had one of those careers that has had its ups and downs…and she isn’t generally the person who goes with the flow.  She jokingly talks about her German/Scotch heritage and how that makes her dig and fight change, how she’ll clench her teeth… how she’ll stay on a sinking ship until the water is up over her head.

And she fell in love and married a surfer.

She talks about how a surfer will sit out there and just wait for the waves.  The waves aren’t always there.  You can’t chase the waves down.  It doesn’t matter if you try, because waves will not come to you.  Once the waves do hit, you can chase every little wave… (ie: trend), but the good surfers know when to wait for the right wave…

Translate that to a writer’s life.  We can’t chase every little trend that comes along.  You can either keep writing the best books you know how, or look at the trends that are out there, if you want to write the books that are hot and trending like mad.  Think about what they have, then ask yourself.  What can I add that to these books/this genre that other authors aren’t doing?

Just chasing every little wave, every little trend means when the time is right for you…well, how are you going to know?

You’re going to be too exhausted, or maybe even underwater.

There was a lot more excellent little bits of wisdom in that speech, but that’s one of the gems I got.

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There *is* only one way… my way

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I was reading Chuck Wendig’s blog.  It’s about indie publishing and I’m not following the links to the kindle boards, because I’ve done that and I refuse to go down that rabbit hole again.

I just want to say this.

THERE IS ONLY ONE WAY.

For me.

I do traditional, digital and self-publishing.  My Kit books are selfpublished and they outsell a lot of my digital books.  I self published some really, and I mean really hot erotic romances…some did okay, one totally tanked.  But my UF books under another name? The ones that aren’t romance?  They outsell the romance stuff, the hot stuff.  They are probably some of the bestselling books I have.  They have more reviews than any other book I have out there.  And they aren’t even a year old.  New York didn’t want them.  Go figure.

I didn’t do anything really special with my self published books.  The erotic romance that I thought would sell really huge? Didn’t do all that great.  It didn’t suck, but it didn’t do what I’d hoped it would.  So the follow-up I’ve been planning to do just sits on the shelf.  I may finish it, I may not, but it’s not priority.

The UF titles?  I hoped they would do okay, but I wasn’t really expecting them to-to be honest, I’ve stopped hoping for things, but nothing I do seems to click, but this one is doing better than I would have let myself hope for. And it’s not romance, it’s not what I’m ‘known’ for.  It’s not…’my way’, so to speak.

The bottom line? There is no ‘way’ except the one you find for yourself.  If you’re out there screaming, or even quietly saying, traditional is best or indie is best or telling your books via figurative dance is the absolutely only way to do it?  Well.  Maybe it is.  For you.

Let everybody else find their own way.

 

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How to make a writer’s night

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So there’s this thing locally…. Ladies Bourbon Club.  It’s relatively new, I think last night was just the second.

Bourbon!

It was at Jack’s Lounge.  FYI… the Irish Bombe is to die for.

I get there late…I wasn’t the only one.  Liz was also late. I think it’s Liz.  I know she owns the burger truck…Louisville Grind, and I know one day I will venture out and get a damn burger from there.  Anyway, we were late miss the bourbon tasting, but these are awesome people and we got some bourbon anyway.  So that’s cool.

When I walked in, there’s a weirdo lady I know from twitter and apparently she is incapable of seeing me without saying…this is the Shiloh Walker.  It’s like she puts it in caps and I feel like I’m in a fishtank and I think she does it just to weird me out.  And I know one of her friends likes my books, so I had a copy with me to give at the end of the night.

And I went to do just that.

One of the ladies attending saw the book…and she asked me…”Ah, can I ask you something?”

Well, yeah.  (People ask me almost anything…I don’t always answer, but hey…)

“Are you really Shiloh Walker or are they teasing you?”

“Ah, no.  That’s me.”

And…“You’re kidding me! You have no idea how many of your books I’ve read!”

That is how to totally make a writer’s night.

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25 signs you are a writer

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dreamstimefree_59647

In response to this…um…I don’t even know what to call it.  But… yeah.  It’s in response to this …whatever this drivel is… his 25 signs of being a writer.

  1. You write.
  2. You write a lot.
  3. You read.
  4. You read a lot.
  5. You write…and you delete.
  6. You write…and probably think you suck.
  7. You read…and think…why didn’t I think of that?
  8. You buy more books than you’ll ever read…because you love books.
  9. You have a pretty extensive vocabulary, because you’re frequently reading those books…and you know what is in those books? WORDS, dude!
  10. You keep a notebook or something handy because you’ve been in that position where you had an awesome idea…and when you didn’t have a piece of paper handy…you lost the idea.
  11. When you were in school, you probably read. A lot.  Maybe you had friends who didn’t. Maybe you did. And hey, that’s okay.
  12. Maybe you have friends who read a lot now…maybe you don’t. And that’s cool, too.
  13. You know that the idea of staying at home in your pajamas and watching Revenge might sound cool, but you also know that doesn’t get stories told. Writing a lot gets stories told.
  14. You just might have a stationery obsession.  It’s okay.  A lot of writers do.  But that doesn’t mean we all do.
  15. You might not be all that concerned or impressed with the idea of somebody majoring in English or Poetry.  We can all think of plenty of writers who didn’t major in those fields and went on to do just fine.
  16. You hear the words I’m on a deadline…um, do we really go around saying this to ourselves?  I think we just look at the calendar and think, crap…February 1 is almost here.  The book is due!
  17. You think, like any of your friends who’ve gotten tattoos, that you want to get one…so you find one that’s meaningful to you. If you’re a writer and it’s words…or quills…(yes, that is mine), then it makes sense to get a literary type tattoo. If you’re a comic geek?  Comics!  Star Wars geek? Yoda! Vader!  Makes sense!
    image from Tattoo Charlie's

    image from Tattoo Charlie’s facebook.

     

  18. You write.
  19. You write a lot.
  20. You read.
  21. You read a lot.
  22. You write…and you delete.
  23. You write…and probably think you suck.
  24. You buy more books than you’ll ever read…because you love books.
  25. I’m on a deadline…crap…February 1 is almost here.  The book is due!

Mostly tongue in cheek, but not entirely because the overly, I am impressed with myself, my vocabulary, etc, etc…list just seemed to scream for another list.

So there’s mine. I could sum it one better, though.

  1. You write. A lot.

Because really, if you’re a writer, you know that being a writer boils down to one thing.

Writing.

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On being a writer…

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I’ve gotten these questions a lot lately, so rather than just trying to parse it out in twitter or facebook or keep answering it on twitter, I’m just going to do it here…and then link here… I’m lazy… and swamped. ;)

These questions often go hand in hand, so I’ll answer them that way.

How long have you been a writer…

Always.  Seriously.  I think I came out of my mother’s womb telling stories.  I’m just a storyteller.  I started actually writing them down in middle school, as far as I can remember, although my mom says it was before that.

I wrote short stories all throughout middle school and got into longer stuff in high school.  I had notebook upon notebook crammed with stories written in horrid purple ink… (yeah, what was I thinking).  Many of them were fantasy, although there was one contemporary young adult that had the hero dying at the end.  Yes, even in high school, I was all about the angst.  In nursing school, there was the start of what might have been a halfway promising romantic suspense, and if I can ever find that one, I might try to rework it and do it again.

Now… when did I start writing professionally?

I sold my first book in late 2002.  By then, I’d written dozens of stories, if not more.  I’d had dozens of rejections. I kept working in nursing even after I’d sold and even though I was able to quit my day job in 2004, I keep my license active because writing isn’t a stable field.

I’m not exaggerating on this and I’m not trying to scare anybody, but just because you’ve sold ten, twenty, thirty, sixty books doesn’t mean you’ll be able to keep on selling. Trust me on this…I speak from experience.  There are no guarantees in life, and especially not in writing, except for this.  It’s hard and signing a contract doesn’t mean it gets easier.

Sooooo…if I haven’t managed to completely scare you…

The next question that generally comes…

How do I become an author?

The answer to this depends…Are you a new writer?  If so…

  • Read.  Read a lot.  It’s fuel for the brain and if you tend to read the books from the sort of publisher you want to write for, you’ll get an idea what sort of books they are looking for.
  • If you haven’t written a book, you have to do that first.  And you have to finish it.  If you’re a new writer, the very first thing an editor and an agent need to know is that you can finish a book.  If you have the most amazing, brilliant idea that will leave Nora Roberts, Stephen King and JK Rowling in the dust, but you get half way through and you can’t finish…that idea doesn’t mean much to them.
  • If you’ve just started writing, then finish that book.  And then…start another.  The fact of the matter is, the first few books almost any writer writes aren’t going to be published. Yes, there are exceptions, but if you focus on being the exception, you may be setting yourself up for a life of disappointment.  Focus on reality.  Writing the first book, and the second, and the third is what improves your craft and gets you to that crucial point… where you have a book that is actually really good.  You find your voice, you figure out what in the hell is show versus tell, you nail down point of view switches and all of that.
  • If none of that makes sense, you can figure it out just be visiting various writer blogs or forums… Absolute Write is a good writer resource.  PBW/Lynn Viel is a great resource for writers.  Ilona Andrews has some wonderful tips on writing.  And if you don’t know what any of that means, it is absolutely okay.  We all start somewhere.  Just don’t try to start with me, because I’m a lousy teacher…I’m still figuring out what the shorthand is for some of the writer lingo. It would be the blind leading the blind.

Have you been writing for a while but don’t know how to go about getting published?

  • First things first…be prepared for this one simple thing.  You’ll get rejections. We all do.  I had one book rejected by two different publishers just this year.  My urban fantasy thing that I’m trying so hard to sell isn’t exactly grabbing anybody and it’s probably one of the best things I’ve ever written.  You’ll get rejections.  No matter what.  Be prepared for it, accept it…and whatever you do, don’t have a hissy fit and email the agent/editor back and go off on them.  Your book didn’t grab them.  That doesn’t mean you wrote a bad book.  It doesn’t necessarily mean they didn’t like it.  It means it doesn’t work for them.
  • If you’re not sure how to go about getting an agent or editor…this is going to vary depending on whether you want to go digital (Ellora’s Cave, Samhain, Carina, etc) or traditional (the big New York houses, Random House, Berkley, Grand Central, etc) that focuses more on print.  Most print houses require that you have an agent.  Very few digital publishers do require this.
  • If you decide to try digital houses, that’s awesome, but never sign a contract without having it reviewed.  You can get a contract attorney for probably $250.  I know that’s a chunk of change, but not all contracts are created fair and equal and there have been more than a few authors who have huddled in their beds and cried because they signed a bad contract and when things went to hell, they were screwed.
  • Visit the websites of the houses you want to write for.  Read their work.  Does your work fit them?  IE… if you love to read inspirationals, but you’re writing erotic…you’re going to get a rejection.  That might sound like common sense, but you’d be surprised.  This is why publishers often say in their form letters: “Read our work to get a feel for what we publish.” 
  • Find out if you need an agent.
  • If you do, start querying them.  don’t ask me for help on this…I suck at it.  But you can find help for that at places like Absolute Write and many agents have blogs.  Visit them and see what to do and what not to do.  
  • One thing not to do…go against the guidelines.  If they say no digital submissions… then use snail mail.  If they say don’t send the MS…then DO NOT SEND IT.  This is a sure way to end up in the NO pile.  That might sound harsh, but when you’re getting hundreds (thousands?) of submissions and half of them make it clear they don’t care enough to follow the simple guidelines, then it tells the agent/editor those writers are not taking their writing seriously.  Some writers have this… ah… megalomania thing, almost, where they think creating something means they get special treatment and they needn’t follow guidelines and then they get pissy when they get rejectons.  Yes, we see this happen and no, they aren’t any more special than all the other billions of people out there. They wrote a book and so did I, so did hundreds of thousands of other people.  They want to get published? They have to plod through the steps the same way all of us do.  You stand out by actually following the guidelines, being courteous, being professional.  Well, being an ass will make you stand out, but not the way you want.
  • Hang out at writer/writing blogs and forums.  That sounds like a cop out but you learn a lot there.
  • Consider joining RWA-Romance Writers of America.  Whether you’re a romance writer or not, RWA will do more to help grow you as an aspiring writer than just about any other writer organizations out there.  They have online chapters, local chapters, the website, online workshops, etc where you can learn about how to write query, how to pitch your book, etc.  You can learn to network, learn which agents to avoid (yes, they exist), which digital publishers are good to write for (yes, there are some that you want to run screaming from…learn them, know them, so you can hide your lovely writerly goods from them), which print publishers aren’t playing well with their writers (they definitely exist), and too much to list.  Like anything else in life, though, you’ll get out of it what you put into it.
Ok.  See?  This is why this is too complicated to go into via twitter, really even via FB.  You can do it an email, but doing it repeatedly… ah. The brain.  It hurts.  So now it’s immortalized on muh blog.
One thing to keep in mind, above all of this… there is no set path to becoming an author. We all get where we are differently and it’s always a learning journey. It’s a rocky road and it can be fun, but what worked for me isn’t going to work for others. Just like their journey wouldn’t have worked for me. This is one of those things where you kind of have to find your own way.
Hope it helps.
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Writer Wednesday…

Kindle

 

Writer Wednesday with Selena Blake

wanna know more about Writer Wednesdays?  Go here… writers interested in doing it just need to do the questions and contact me.  Info is at the link.

 

What’s the one thing that remains unchanged during your writing process, from one book to another? (ie: Intensive plotting? Music?)

A: As much as I enjoy writing the first draft, I love (and sometimes hate) the revision process. One thing that never changes in my writing is how intense the revision process is for me. To me, that’s really when a book comes to life. I understand the progression of the story, can see any plot holes and I know my characters. I can add twenty-five percent to the wordcount during revisions.

What’s the one piece of advice you’d give a new writer?

A: Believe in yourself. There will be many days where you’ll lose confidence and wonder if you’re any good. That’s natural. There will be reviews that will tear you down. You’ll question yourself. But at the end of the day, believing in yourself will keep you sane. It will help you continue when the going gets tough. If you don’t believe in your work, how can you expect anyone else to?

What’s the one piece of advice you wish was wiped from the minds of writers everywhere?

A: That there’s a right way and a wrong way to proceed with your career. Each author is different. Each journey is different. The important thing is being happy with how you get to where you want to be. Traditional, indie, a combination there of. Do what works for you.

What’s the one book you think everybody, writer or not, should read?

A: James Scott Bell’s writing resource books. I love Art of War for Writers, Plot & Structure, Revision & Self-Editing. I’m pretty sure I could recommend anything he will write on the subject in the future. He has a way of breaking things down that will make you say “ah hah!”

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