Thursday Tips…Bookbloggers & Readers

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Thursday Tips-geared toward the newly contracted/newly published author.  If you’ve got comments or Qs, feel free to leave them in comments.

Book bloggers…they are your friends

Besides librarians and booksellers, another group of people you don’t want to neglect or abuse?

Bookbloggers.

This doesn’t mean going and totally schmoozing it with them.  While some may be totally into that, chances are it will annoy others.

Just talk with them.

When I say talk, I don’t mean hit their blog with

Hi, I’m Shiloh Walker and I write erotic and paranormal romance, with some romantic suspense thrown in and I see that you like Lora Leigh, JR Ward and Linda Howard.  Because of that, I think you should give MY work a try.  If you’re interested, I’d be happy to send you a copy for review.

Folks…this isn’t talking.  This is basically invading a blog, and most authors who use this spiel almost always do it where there’s already a conversation going on.  So not only to do they intrude on an active conversation, they are doing to pimp their own work, and coincidentally, they are throwing around big names in hopes of catching interest.

Does it work?  Well, you might grab a little bit of interest.  But you’ll also annoy a number of readers—you’ll alienate them.  If you’ve alienated them, they are less likely to try your work, whether or not they say anything at the present time.

On the other hand, if you actually just talk…well, you can build up some friendship, or at least friendly relationships and that will do you a heck of a lot more good than the bit of interest you might gather from heavy-handed promo.  Because when you leave a good impression, people remember you, they talk about you and not in a—holy crap, did you see how she just totally interrupted us to pimp her shit-how rude!—sort of way

When I say TALK, I mean… TALK.

Something like…

Oh, man…. Linda Howard?  I love Linda Howard.  One of my favorites from her is Son of the Morning.  That woman can write.

Readers tend to get aggravated when an author invades on conversations just to promo-whore her stuff.  So despite what you might hear from some sources, I really don’t think it’s going to do you any favors to try that route.

Here’s an example:  If you were having conversation with a friend at the bookstore and somebody suggested a book they liked, or a book they’d loved by an author you were discussing, chances are you wouldn’t mind.  This might even be something you have done.

But lets say this person more or less shoves her book at you…

Oh, wow.  I see you’re looking at the latest Lora Leigh.  Wow.  I write just like her, or so people have told me.  I think you should try my stuff.

Folks, this isn’t a good sales pitch.  It’s heavy-handed, it’s awkard.  Some authors can work this sort of thing into a conversation.  Others?  Can’t.  Many of the ones I see online?  They can’t.  They are the ones who intrude on messages boards at Amazon, Goodreads, blogs, all in the name of pimping their stuff.

When authors use this sort of tactic, it brings about…an awkwardness, we’ll say.  Some people may be unsure what to say, period.  Some aren’t going to say anything for fear of hurting the author’s feelings.  Some just don’t like conflict.  And…um, well others just might tell you off to your face.  But it puts a strain on what had been a pleasant, open conversation and they can no longer freely discuss things.  This isn’t going to help endear you to them, and again, despite what some people think, I really don’t believe it does a big promo boost either.

On the other hand, if you can just talk to readers and bloggers about the common ground we’ve got?  Which is a love of books?  That can do you a world of good.  If you can be genuine.  I never set out to build a huge network of bookblogger friends.  I was just talking to people about books, because…well, I kind of love to talk to people about books.

I don’t really talk about mine—I feel weird talking about my books.  If somebody asks questions, yeah, I’ll answer.  But when I’m at a book blogger’s blog, a reader’s blog?  I’m there to talk books.  If I’m at another author’s blog, I’m either there as a guest… I don’t mean a guest blogger-those are different rules, I mean as in a guest in their house…or as a friend.  It does us well to remember courtesy.

However, this doesn’t mean it doesn’t help get my name out.  People ended up at my blog because they saw me talking at other blogs.  I’ve had people tell me they bought my books just because they saw me recommending other people’s books—and no, this isn’t why I do it.  If you can’t be honest when you’re out there in blogland, don’t bother because, people?  Readers aren’t stupid and when you’re putting on a front, it comes through a lot more clear than people tend to realize.

Just remember that readers and bookbloggers… They are people…treat them with courtesy and respect, and they’ll give it back.

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An RWA recap

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Sorry…no pics to post. I had my camera, but just never thought to take it out. O.o

So, on Nationals.

We spent two days at Disney so when we checked into the Dolphin on Tuesday, I was dragging already. But hey, it’s Disney.

Wednesday, what did I do Wednesday…I registered, hung with friends, had lunch, hung with friends, did the massive booksigning and for an entertaining glimpse at that? Here…

Then I think that was the night that I went to the karaoke bar with Sylvia Day because I was promised very bad karaoke that would be done by Kresley Cole. She never did it-she did mention she’d sing Jack and Diane if I went up there, and I told her, you can’t get me drunk enough. But it was still fun and you should have seen Sylvia working this table of guys next to us-they thought we were a school teacher’s convention… O.o

On Thursday, Samhain did a big breakfast for their authors-I just had coffee and a few pieces of bacon, because I was eating with my editor Kate @ Ballantine. That turned out to last to last over two hours…I had this one idea for the books, but then this other idea, and then she said something that made me realize I could do both, and she looked at me after I mentioned it and she was like , Oh, I like that… CREEPY… And naturally, I wanted to lock myself away in my room and write.  But I didn’t.  Then we started talking twitter, and facebook… *G*  She doesn’t do twitter and I was showing her about it.  Like I need to get more people hooked on twitter.

Chatted with my editor Cindy from Berkley and things are going well there-probably going to be a while before I see a cover on Hunter’s Fall, though.  And naturally, I forgot to ask a few things.  Sigh.  Email, thank God for email.

There was a cocktail party hosted by my agency.  My friend Nikki went to that with me.  We chatted with Miriam Kriss, the vice-president, and then we spent a lot of time talking with author Donna Grant and her husband.

I got to meet Michelle Monkou, the RWA prez-somehow, I got invited to a VIP reception… *G* somebody, who shall remain anonymous tells me, “It’s because you’re a bitch who won’t shut up…”  (And yep, that’s actually right).  That was fun, though.  Talked with Michelle, Farrah Rochon and I can’t remember her last name…eek, but Julia was wonderful to chat with.  Also up there, Andrew Schaffer, a writer of RT cover model contestant fame…

Then back to Kimonos, the sushi/karoke bar, where I sat with Erin McCarthy, (I love her) Kathy Love, (love her) and got to listen to Heather Graham and her daughter singing-both of them can sing, but her daughter?  Damn.  Also talked with Heather’s husband a few times-he’s a very cool guy.

I left there, intending to go to bed, ran into Shayla Black, and then we went back to the sushi bar, because Sylvia was there and we had to nab her, because we had antho stuff to discuss.  And talking to do.  And um…Shayla is so my bestest friend (I’m fickle, I know).  She gave me this ARC

It was signed to Shiloh, my friend in Bitch-itude.

We did eventually get around to talking about things we want to do with our project.

On Friday, I talked to more friends, hit signings, grabbed books, had my own signing, ran out of books, went to two cocktail parties, got to meet Linda Howard… YAY!  And hopefully I didn’t make an ass of myself.  Stacia Kane came down for a little while and we hung out in the bar and I totally flustered her because I kept telling everybody how much I love her books (which i do) but me being the brat I am, I laid it on thick because I could tell how much it was flustering her… *G*

I did hit several workshops, not as many as I’d like.  The workshop I did on Digital Publishing-sigh… the last slot of the day on Saturday wasn’t as well attended as I would have hoped, but there were a number of people there who were sincerely interested, it seemed, so hey… that’s good.

It was a good conference.  What I love about these is mostly being able to mingle with friends, but I did get something out of the workshops I attended, so that’s good.  Also had a few ideas I’m going to try and work on-not story wise, but work/biz stuff.  Which I need… O.o

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On proposals, synopsis…selling…with, without… O_O

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A few years ago, I worked withsomebody who wanted me to put together a synopsis for a book I hadn’t yet written.

I’ll be honest, I think my mind almost shut down. I’d never attempted to write a synopsis before and nobody else I’d worked with had ever wanted them. I was still writing only for epubs at the time, and this was an epub. I sent her the best I could do-it was about 1.5 pages, but it was the best I could do. I’m not the sort of writer who does a synopsis, especially when the book is still in the early stages, or…worse, not even written.

She sent it back, wanted more.  When we had first corresponded, I had told her that eventually, I wanted to write for New York…eventually.  When she emailed me about about the revised synopsis,  her words?

“You will never write for New York if this is the best you can do.”

Oooookay.  I forced out another half page and told her that was the best I could do, because I am not one who writes a synopsis-how can I, when I don’t even know where the story is going?

You know the plotter vs pantster arguments?  The one who plots versus the one who writes by the seat of her pants?  I’m the one who writes by the seat of her pants.  This doesn’t mean I’m not plotting the story out in advance, but it’s almost an unconscious thing.  For the past few months, while I’m working on the first book of my romantic suspense trilogy, I’ve been tinkering out the aspects of book 2, but if I try to put them down on paper?  All tinkering stops. I can’t force it to come.

I know vaguely what will happen.  And my idea of vauge is…

Guy meets girl.

Girl and guy like each other, sexual hijinx and lots of emotional messes get in the way.  Plus danger, as this is a suspense.

They will save each other.

The end.

See?  VAGUE.

Now some people are thinking…but you can’t sell a book like that.

Actually…yes, you can.

Read below the cut-it’s the synopsis for the book CHAINS, which was bought on proposal-that and the first chapter only.  My editor bought it just based on those two, and I got paid just paid on those two.  Once I turned in the final MS, I got paid more, and when the book released?  More. Beware-if you haven’t read chains, this does give a run down…you’ve been warned, thus the reason it’s below the cut…

(more…)

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Story-building

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Lynn Viehl is having her annual ‘left behind and loving’ party this week.  She’s doing some online workshops for writers.

Yesterday she blogged about writing, but she came at from an architectural standpoint-’building’ a story.  Had some pretty good info.

If you want to take a look, go here.

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Comments and questions from Workshop, Day One

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Okay, first up…addressing any specific comments or questions from day one.

Do you typically spend less (or no) time on pre-writing (backstory, etc.) for the short stuff, or do you find it just as important as for longer works?

It’s going to depend on the story and the characters, how well I know the characters before I start the story. I’m just now getting into the habit of making myself explore my characters backstory as much before I start writing. On a story that’s more complicated, I’m going to spend a little more time understanding my character before I start the story but a longer story gives me time to ‘get to know’ my characters a little more as I go.

Shorter stories, you don’t have that luxury so you need to know the characters really well from the get-go. So if it’s going to be a more complex short story, or a short story with more complicated characters, I’m going to spend a little more time on backstory than I normally would.

Is the sequel going to be something like Chocolate Sauce and (insert choice here).

Heh….nope, the title to the sequeal was Silk Scarves and Seduction.

I have always wondered how to write a good short story or novella with great character and plot, but have shied away from it because my stories tend to become rather large in scope as I progress. After reading this, however, I am tempted to try it again.

Not all stories are meant to long ones, not all are meant to be short ones. Some stories, I know starting out they’ll be shorter. If you get the idea that story is going to get complex and layered, don’t try to make it a short story, but if you have an idea that seems like it will work as a short story…go for it. Just remember the shorter stories don’t have much wiggle room for complex plots.

Admittedly, I’m not exactly the most organized soul when it comes to plotting. I’ve only started making myself outline a book in the past year or two. Before that, I never even tried. Now that I’m trying, I have to make myself do it. But after a lot of wasted stops and starts when something shows up in the plot that I wasn’t expecting…well, the more complicated stories tend to work better for me if I give myself a roadmap first.

I’m no genius at plotting it out in advance. I still have to make myself focus and concentrate to get it done. But I’m learning. ;)

Will be posting the winner’s name shortly!

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Short Stories & Novellas- Workshop Day III- The HEA

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FYI, I will be checking in on the blog when I can, but I wrote this before I left for Alaska, and while you’re reading this, I’m up in the land of the midnight sun, so chances are, I’m not thinking of blogging and workshops.

However, I’ll be sure to look through comments when I get back, so if you have questions, comments, whatever, feel free to leave them in comments. Wanting more info about LB&LI08? Go here.

________________________________________

Left Behind & Loving It 2008

although I’m not exactly here to be left behind anyway…but that’s beside the point
;)

Writing a short story/novella

The HEA

This is going to be short and simple.

What is the right HEA?

The HEA doesn’t have to mean two people professing ever-lasting love, getting married and on the verge of having that white-picket fence and 2.3 kids.

If that is what works for the story and the characters, do it.

But what if your characters were very hesitant about having a relationship? If they fought it tooth and nail, are they going to pick out wallpaper or paint chips on page 62?

If that doesn’t work for them, don’t try to write it that way. Maybe for them, their resolution to the story is admitting that they love each other. From there, a lot of readers are happy to let the story end, because in their mind, the characters are working towards their HEA.

Be true to your characters and give them the HEA that works for them, because that will work for the story, and that usually means it will work for the reader, too.

Also, because PBW told me to, because it might make it more fun, I’ll be doing a giveaway…anybody that comments (and uh… I don’t consider, oh, how nifty! a comment) and/or adding to the discussion will entered into a drawing for a prize…probably something I’ll pick up in Alaska and a copy of Private Places since I anticipate finding my author copies upon my return home.

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Short Stories & Novellas- Workshop Day II – Characterization

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FYI, I will be checking in on the blog when I can, but I wrote this before I left for Alaska, and while you’re reading this, I’m up in the land of the midnight sun, so chances are, I’m not thinking of blogging and workshops.

However, I’ll be sure to look through comments when I get back, so if you have questions, comments, whatever, feel free to leave them in comments. Wanting more info about LB&LI08? Go here.

(edited to add)

Her current workshops…

  • World Building

    ________________________________________

    Left Behind & Loving It 2008

    although I’m not exactly here to be left behind anyway…but that’s beside the point
    ;)

    Writing a short story/novella

    Characterization

    As mentioned in day I, the two main issues I read when I asked about novella gripes were:

    • Plotting
    • Characterization

    So today, I wanna talk characters.

    You need to make the characters believable. Chances are if you’re hanging at my blog, romance is your thing. So you also need to make the reader believe that HEA is gonna happen at the end of the book, which means they need to fall in love, too.

    If you kept things simple in the plotting part of the book, that should leave you some room for developing the characters. But again, the confines of short stories and novellas don’t always leave expansive room for seriously complex characters. A widowed man can definitely fall in love within the confines of a short story, but if the widowed man also has some baggage, like his deceased wife messed around on him with his best friend and then when confronted by her husband, she kills herself…baggage…might be hard to resolve in a short story.

    Get to know your characters

    Do your characters have:

    • quirks?
    • issues?

    What do they look like?

    • Tall?
    • Skinny?
    • Round?

    Something I’ve very recently started doing is character worksheets-definitely something handy. A couple of links/tools I’ve found useful…

    Tara K Harper

    Pamela Dowd (this one is a PDF)

    PBW’s Novel Writing Notebook

    Think about your characters and know who they are before you start telling their story. Longer stories allow for more time to get to know them and I usually learn more about my characters as I write them, but with a short story, I like knowing exactly who my character is.

    Know exactly what your character looks like. (This is still a work in progress for me…I’ve got a bad habit of forgetting eye color…)

    Giving your character quirks can make them seem more real. Like a caffeine addiction. Giving them issues can do the same, make them seem more approachable, more real to the reader, but be careful with issues if the issues are going to cause problems in the relationship between the H&H. Remember the space constraints with this kind of story.

    Getting them together

    Do your characters already know each?

    • Is there already some hidden attraction going on?

    Do they get together at the start of the story?

    • If not…you might want to rethink that. The short story doesn’t allow much time for a delayed meeting. if they don’t meet until page 14, and the story ends at page 60…25% of the story is already gone, leaving much less time for the relationship development.

    If they are strangers, how are you going to make me believe they fall in love by the end of the story?

    Certain events can put two people together and the two people learn more about each other than they would under other circumstances. A dangerous situation, for example. Use your imagination. Dangerous or volatile situations tend to bring out our baser urges-the H&H will see other as they really are, not the ‘good impression’ so many of us try to present on first dates and stuff.

    Plus, dangerous situations can bring about a great sexual tension.

    If you’re going to use the ‘love at first glance’ twist, make sure you think it through. DId both of them ‘feel’ that right off the bat? Is one a little more hesitant? That right there can be a story’s entire plot, too. Nothing complicated, leaving plenty of room for really developing the relationship.

    Getting that intimate connection

    Remember to work in the romantic and sexual tension as you write. Even if the characters aren’t together on the page, have them thinking about each other.

    When it comes to sex, no problem having in the short story and if it’s erotic romance, you have to have it in there. But remember to make it believable. If you’ve got two people on the run, are they going to think to pull over and have a quickie when the bad guy is breathing down their neck?

    More, if it’s a short story, and you’re going for romantic suspense rather than straight romance, are they going to be able to resolve whatever the conflict is if they are having sex every three pages? Probably not.

    One or two well-written sex scenes, especially if there’s a lot of sexual tension going on throughout the story, will serve you a lot better than throwing in the sex left and right, but skimping on everything else. Sex doesn’t automatically establish a good intimate connection, especially if it’s sex that’s written just for the sake of sex.

    Sex might sell, but badly written or poorly written sex scenes aren’t going to have a bunch of readers putting you right at the top of their TBB list.

    Getting to the HEA

    …is gonna wait until the next day.

    Also, because PBW told me to, because it might make it more fun, I’ll be doing a giveaway…anybody that comments (and uh… I don’t consider, oh, how nifty! a comment) and/or adding to the discussion will entered into a drawing for a prize…probably something I’ll pick up in Alaska and a copy of Private Places since I anticipate finding my author copies upon my return home.

    Edited to add…because I promised pics…

     

     

     

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Short Stories & Novellas- Workshop Day I – Plotting

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FYI, I will be checking in on the blog when I can, but I wrote this before I left for Alaska, and while you’re reading this, I’m up in the land of the midnight sun, so chances are, I’m not thinking of blogging and workshops.

However, I’ll be sure to look through comments when I get back, so if you have questions, comments, whatever, feel free to leave them in comments. Wanting more info about LB&LI08? Go here.

________________________________________

Left Behind & Loving It 2008

although I’m not exactly here to be left behind anyway…but that’s beside the point
;)

Writing a short story/novella

Plotting

So the two main issues I read when I asked about novella gripes were:

  • Plotting
  • Characterization

And I pretty much figured that, just because I’ve asked the question before or readers have commented it to me.

The thing is, it’s possible to write a short story or a novella with a decent plot and decent characterization. You just have to remember a few things ahead of time. Today, I want you to remember K.I.S.S.

Keep It Simple, Stup…uh, fill in the blank with another S word. ;) Sorry, it was a comment one of my old high school teachers used to say-I always loved it.

But you do need to keep it simple. If you’re writing a story in under a hundred pages, you can’t easily have two strangers meet, overcome multiple villians, save the world and still have time to fall in love-and if it’s erotic romance, fall in love and have sex in the progress. It doesn’t work.

You could have two total strangers fall in love…or at least begin the slide.

Or you could have two people who’ve already met-and they realize they belong together.

Genre:

Making the choice on what genre to write is going to play a lot into how well you can plot the book and craft the characters in the page limit.

If you’re planning on a fantasy or paranormal world, ask yourself if you can keep the world building cohesive and still have time to focus on the main plot and the characters. That world building in a fantasy/paranormal is just as important to most readers as the characters themselves and the plot. If you’re going to have to skimp somewhere in order to keep the story shorter, maybe don’t make that book a short story.

Novellas and short stories don’t easily allow for complex plot and complex characters, especially if it’s a genre that will require world building as well.

Conflict:

Think about the conflict you’ve chosen:

  • Is it simple?
  • Is it easily believable? If it isn’t, it’s more than likely you’re going to need more page space to sell that idea to the reader-not good for a novella/short story.

You want simple:

  • Simple isn’t bad, not for a short story or novella.
  • Simple means no loose ends that leave the reader going….huh? at the end of the story.
  • Simple leaves more room for character development and resolution of the conflict.

You need believable:

  • If it’s way out there, chances are you’re going to throw the reader out of the story.
  • If it isn’t believable at first, you’ll need more page space to sell the idea to the reader. More page space means one of two things: 1) You’ll need to write a longer story-that’s fine, some stories are meant to be short stories…others aren’t. or 2) You could too easily end up consciously or unconsciously skimping somewhere else. Skimping is bad.

Details:

Focus on main story and leave out the extraneous details. Do we really need to know:

  • The character’s entire backstory?
  • Weather details
  • Travel details and extensive depictions of setting.

Backstory:

if it’s vital to the story, yes…otherwise, probably not.

Weather:

vital to the story? If not, skip it

Travel details and extensive depictions of setting:

Skip it. These tend to get boring anyway, unless something really cool happens during the trip-or if the entire story takes place on a road trip.

The story needs to have a simple plot, so you can focus on that plot and the characters, getting them their HEA. And I think I’m going to do a mini-shop on that HEA. Because that is one thing that can throw me out of a story, how the HEA is reached.

Just as an example for a short story I wrote, and it’s still one of my best sellers, even five years after it’s release.

The basic plot:

Hero has been in love with the heroine all his life. He joined the Navy right out of high school, discharged when he was injured in the line of duty and comes back, planning on asking her out, hoping she’ll fall in love with him.

The main conflict is that the heroine was dating to somebody else and shortly before the story opens, they became engaged.

Instead of giving up, he starts sending the heroine little gifts-he becomes her secret admirer.

It was nothing complicated. It was a fun, easy story to write and it’s a story that many, many readers have written to me about.

And for the curious… the book is titled Whipped Cream & Handcuffs. FYI, it’s got a new cover, it just hasn’t been added yet…although that could change in between me writing this post and it going live. ;)

A useful site for short story tips…

Short Stories: 10 Tops for Creative Writers

Make sure you check out PBWs blog, because I’m sure she’s going to list the others who have participating in the LEFT BEHIND AND LOVING IT party.

and just a quick disclaimer…this was written kind of on the fly because I’m ttttthhhiiiissss close to finishing a book and also getting ready for my trip. If I don’t make sense…well, I never make sense to myself, but if there is something I wasn’t clear about, just let me know and I’ll hopefully be able to address it when my brain returns to normal.

Also, because PBW told me to, because it might make it more fun, I’ll be doing a giveaway…anybody that comments (and uh… I don’t consider, oh, how nifty! a comment) and/or adding to the discussion will entered into a drawing for a prize…probably something I’ll pick up in Alaska and a copy of Private Places since I anticipate finding my author copies upon my return home.

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